Our work can be seen as science fiction of the present.




We think about technologies that already exist, but give their implications to non-technologists in an attempt to see their effects on the unconscious psyche, on the archetypal human struggle.

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To portray this stuggle, we manipulate the conventions of narrative. Storytelling becomes a strategy by which essential moods and feelings can transfer from character to viewer. This identification with character causes a feel first, think later reaction. The reaction, once felt , can not be retracted and must enter the playing field with other , so called real events.


Our work can be seen as science fiction of the present. We think about technologies that already exist, but give their implications to non-technologists in an attempt to see their effects on the unconscious psyche, on the archetypal human struggle. To portray this stuggle, we manipulate the conventions of narrative. Storytelling becomes a strategy by which essential moods and feelings can transfer from character to viewer. This identification with character causes a feel first, think later reaction. The reaction, once felt , can not be retracted and must enter the playing field with other , so called real events.