Marketou’s aim is with her installation 
            to use the architecture of the gallery in order to reveal her process 
            and to create forms of conviviality, social networks and collective 
            production. Through the common nature of singing with the audience 
            the 80’s pop song 99LUFT Balloons by Nena during the opening 
            of the exhibition is a deliberate decision of the artist to involve 
            viewers in her work.
            
            <Flying 
            Spy Potatoes : Acting On the City> it is to be understood 
            as statement on the events of the loss of our privacy and control 
            in the public realm which followed the 9/11. The installation consists 
            of two sections An installation of Mixer ( 2003) and Orbiter ( 2003 
            ) hybridized sculptures on the ground floor of the gallery and “system 
            space”. 
            
            MIXER 
            is a display, modeled after surveillance satellites of the 70”s 
            is built out of domestic cheap materials such as wood and plastic 
            which is connected to a variety of audio-visual inputs such as surveillance 
            cameras, DVD players and 3 TV screens. The TV screens feature 
            < Flying Spy Potatoes> series digital recordings with a 
            custom made by wireless cam and radio receiver mounted on a helium 
            balloon which Marketou was holding at the end of a 30feet tether while 
            she was walking in high security public spaces in NYC which were declared 
            as hard targets against terrorism.
            
            ORBITER is a hybrid sculptural structure also inspired by the reconnaissance 
            military technology of 18th century and consists of a silver 17 feet 
            ( 210 cm ) diameter helium balloon which floats in the middle of the 
            gallery. The balloon is attached to a TV monitor on the floor of the 
            gallery which displays the artists pre-recorded public interventions, 
            holding the spy balloon, in three major portals of high security in 
            NYC , such as Grand Central Station, and W.F.C. 
            
            “The System Space", as the artist named the basement area, 
            which she transformed as an open study environment – a free 
            matrix of information- where the viewer can find information and materials 
            about the process and the research the artist has made. “ system 
            space” will also host screenings and discussions with the public 
            throughout the duration of the show. 
            
            One of these events will be a session during the opening night when 
            Jenny Marketou with a vocal instructor /singer will coach the audience 
            to sing a long the eighties pop hit “ 99 red balloons” 
            by German singer Nena.
            
            During 
            the exhibition a TV monitor features series of video documentations 
            which chronicle the artist’s singing lessons with a vocal instructor 
            in Athens as well as her singing performance with the audience during 
            the opening night.
          
             
                
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