from Milestones - poems by Karl Young
leaving the city I get on the same freeway
that usually takes me around the city --
on the wide belts of concrete fringed with buildings
where all my attention goes to the ratios
of speeding metal and expanding cement
I don't notice the city thinning
into the countryside -- it's only signaled
by the time it takes to get from one exit to another
I don't start to notice trees fields and grass
till I'm out of the county -- coming into the city
is the same in reverse: the drive through the greenery
ends in expanded concrete from which I emerge
inside the city -- it gets me where I'm going --
a week ago Pam rode her bike
from here to Chicago My Lady and I
drove down the same day bringing Sarah with us --
when we met her at Abdalah's she'd been there for hours
had gotten drunk and sat on the floor
telling screwy jokes and hugging her daughter
she didn't want to talk about the ride
though she was exhilarated completely delighted
and that had nothing to do with what she'd been drinking
¨was it the exertion the sense of accomplishment --
I like to imagine that part of the fun
was the sense of environment changing around her
one city melting away as her speed increased
then the long fast run through open country
then a new city growing around her
suburban houses giving way to those of the north shore
palatial miniatures giving way to apartment buildings
interspersed with theaters restaurants and night clubs
growing into the sky scrapers approaching the loop
a whole city growing slowly around her
the enormous complexity of human diversity
still radiating around her as she sat on the floor
way up in a highrise -- from the highrise bridge
over the industrial valley I can see the city
stretch from the western horizon to the shore of the lake
before plunging back into the city at National Ave.
and the concrete maze that'll drop me into the countryside
on the road to Chicago I've never traveled on foot
@
midnight sunday driving from New York City
to Jeffersonville both of us
falling asleep don't think of sleep
everything's closed haven't got any coffee
or cafinated soda don't think of sleep
can't find a station on the radio
don't think of sleep try to talk
nothing to say don't think of sleep
try to sing can't
don't think of sleep tell ourselves
don't think of sleep can't
no other cars on the road just endless pavement
don't think of sleep sleep awaits us
don't think of sleep rehearse tomorrow
our heads bob don't think of sleep
sing energy is eternal delight
if we stay awake we'll see
the greatest of miracles around that curve
don't think of sleep sing
of ammonia and razors of sulfur and high pitched sounds
don't think of sleep sing
the car is a submarine under the north pole
don't think of sleep sing
the road is a snake we're approaching its head
its head will turn on us don't think of sleep
sing the night is a factory
the car is a drop forge the road is hot metal
dozing is a buzz an electric itch
sleep will be an electric shock
don't think of sleep we shake ourselves
sing sleep is a nightmare
we're riding the nightmare don't think of sleep
sing singing will end
this drive will end in sleep don't think of sleep
@
Quetzalcoatl roars in our tires
the hard rubber ball of the sun and moon
passes back and forth in the court of heaven
men become gods throwing the ball
between day and night the losers die
the winners are sacrificed the gods are replaced
the game goes on my tires are filled
with compressed air trying to explode
hurricanes spin trapped in our wheels
Quetzalcoatl god of winds
roars in my tires their rubber evolved
from the sun in heaven sun growing in trees
sun trapped underground the sun in hell
the road itself -- the sign and the name of this age
is 4-Olin
movement earthquake
the rolling of hordes the game in the court
divides into night and day into red and black
earth's axle runs through the court's center
lubricated by the players' blood our wheels
spin through steel stars rings of bearings
the players on the night's team -- without these tires
our steel wheels couldn't go faster
than ten miles an hour if they tried
the earth would destroy them and rattle the car's parts
into a shower of interchangeable pieces
they burned rubber balls as a potent incense
we sacrifice ourselves winners and losers
in the smell of rubber incense the ball moves
Quetzalcoatl's breath gave life to the world
Quetzalcoatl's breath runs into the wheels of hell
Quetzalcoatl's breath kills the sun at night
Quetzalcoatl's breath roars in our tires
our tires unite heaven and earth
the snake eats its tail their surface is endless
the wheel of the sun runs into the wheels of hell
the hard rubber ball passes back and forth
in the court of heaven the name of this age
is 4-Olin the four wheels of the age
roll it toward its inevitable conclusion
it will end in an earthquake the rolling of hordes
Quetzalcoatl presides over the ball court
over the days and years over our speed
Quetzalcoatl roars in my tires
the world will end when Tezcatlipoca
flying his giant black Cadillac steals the ball
out of the sky Quetzalcoatl
will roar in the tires of Tezcatlipoca's car
@
the clock on the dashboard shows five minutes later
than the watch on my wrist time goes faster
as it passes ¿ is there some formula to measure
the acceleration of time through your life
like the rate of acceleration of falling bodies --
when I was a kid a year lasted forever
as a young man a year went by faster
but the time in front of me always seemed limitless
time enough to do everything I wanted --
at middle age half way through
my predictable lifespan I seem to be moving
faster than the speed of light faster
than time itself hurtling through events
I can't grasp -- friends I seem to have talked to yesterday
have been dead for years every day
I can get less done ¿ will this acceleration continue
will I be able to stand the pressure of time rushing through me
what cosmic force what harnessing of white giants
could slow this down -- my car
is space ship enough what I can do in my lifetime
constantly grows smaller there's a galaxy
between my watch and the clock on the dashboard
@
I don't know how many drive-ins I've passed
since the last time I watched a movie in one
it's been many years and I've passed quite a few
deserted in daytime huge luminous screens
presiding over hordes of anonymous cars
miming fragments of stories that rose quickly and vanished
when I passed them at night -- tonight we arrived
just as the last streaks of blue and red light
faded to black in the west turned off our headlights
as we went through the maze that lead to the rows
of slanted ground each staked out with speakers on poles
at ten foot intervals -- other drivers
honked their horns just like they did
when I was in high school like metallic birds
lauding the evening star -- the movies we watched
were completely ridiculous just like their predecessors
one about children who turned into monsters
whose fingernails glowed after being exposed
to radioactive gas the other a story
of cops and robbers chasing each other
through intricate freeways and labyrinthine streets --
we joked at their antics assumed the personae
of the actors we saw making skits of our own
using the movies as springboards for our own private theater
inside our car -- other viewers
sat on their hoods or in portable lounge chairs
or roamed between cars -- all of life's stages
were being enacted under the dim reflections
of the giant screen the restlessness of kids
just before puberty ambient between cars and refreshment stand
those a bit older necking in their cars
or behind the projection booth rehearsing for the next stage
those in their later teens engaged in seminal union
in the awkward positions a car can demand
at the back of the lot also rehearsing
perhaps without knowing that they would soon be
the couples with kids who sat on their parents' rooves
or played on the monkey bars beside the concession stand
or fell asleep in the backs of station wagons
who would some day become middle aged people
who returned for nostalgia to this microcosm
of the world run by cars and their video dreams --
we make better use of our cars and their dream
in a place like this than we would in theaters
or out on the freeway or back at home here the interactions
of life cars and movies take place together
instead of sequentially here the privacy and freedom
basic to cars get put to full use --
it had started to rain just before the end of the show
we saw the credits through drops on the windshield
joined the winding procession as the downpour began
and as we drove down the road lightning sent jagged lines
through the distant sky and as we drove on
flat sheets of light fell over the world
and returned it to darkness as soon as they fell
@
Dia de los Muertos -- 1981
now that autumn's getting sharper
it's just the time to visit junkyards
brown leaves underfoot smell of burnt leaves
seeming to emerge from crannies of air
and fast as they're scented slip into nothingness
or into the smell of rust all this brown metal
is burning more slowly but still in sympathy
with the changing season taking in oxygen
flaking in pieces waiting for rebirth
in some other form -- miscellaneous pieces
-carbs and bumpers camshafts and radiators-
form a groundwork for the remains of whole cars
the remains of the dreams of hoards of people
many dead many forgotten -- all our hopes and our efforts
our aspirations and failures remain in these skeletons:
how much love went into that Mercury
how many years of work went into that Camaro
how frugal was that Beetle how homey that Rambler
how sporty that Triumph how aggressive that Buick
o mighty Lincoln how proud you were in your day --
¿ could these cars intercede for us
on this Day of the Dead -- the cars themselves
know our hearts and our needs our intimate secrets
and loudest cries ¿ did they die without sin --
whatever they did they're our testament
I'll leave a sugar skull on one of their hoods
@