George Brecht:
Dances, Events, Puzzles
The original English version of a collection of poems
The poems were taken from the following editions:
George Brecht and Robert Filliou: Games At the Cedilla
(Something Else Press, 1967)
George Brecht: Dances, Events and Other Poems
(in: David Antin: The Stranger at the Door; Genre, 1987)
Fluxus etc.
(The Gilbert and Lila Silverman Collection, edited by Jon Hendricks, 1981)
1
The Game of Definitions
The first player writes, on a slip of paper, "What is _____" and he completes the sentence. The second player, without seeing what the other has written, writes "It is _____" and completes his sentence. The two players then read their sentences in order, making any necessary grammatical adjustments.
For example (played by Donna Jo Jones and George Brecht)
What is a factory? It is the manner in which George Washington's men rowed him across the Delaware.
What is well dressed? It is the space between the top of the water and the bottom of the bridge.
What is an answer? It is five ice-cubes melting.
What is a question? It is a method for drying wet matches between the toes.
What is whortleberry? It is smoking under water while sexually excited.
2
19 quantities of Time
(for G.B.H.*)
a heater of time
a cigarette of time
a window of time
some soups of time
now I go to the bathroom
why am I leaving?
the sweet orange
the pencil
covers turned back
la lune dans le ciel (the clouds seen twice)
fireworks underground
the hair
the fingernail's containing
everyone's wish
it was not the moon, it was a street light
the re-wired marquee
moldly noodles
photograph
a tack in my shoe* I don't remember who or what G.B.H. was. But it propably relates to James Waring, who once made a lot of soups.
3
Answer to Ben Who Asked Me What Was Important
Exercices 3 and 4.Consider something "important". Call what is not "important" "unimportant".
3. Take something which is "unimportant" and find a way to consider it "important", adding it to what is already "important". Continue in this way until there is no more "unimportant".
4. Take something which is "important" and find a way to consider it "unimportant", adding it to what is already "unimportant". Continue in this way until there is no more "unimportant".
4
Excerpts from
Gloss For An Unknown LanguageTablet 3
Line Character
17 9 Image formed by a moving object for the duration of one breath.
31 7 An object formed by the intersection of an imaginary sphere with
objects of the reference language. (Here used to desribe
a plano-convex section of flesh/earth).31 8 Used by an observer standing at the edge of a body of water
to denote an area of water surface in front of the observer
and the area of earth of equal size and shape behind the observer,
considered as one surface.Tablet 10
6 4 Everything within the bounds of an imaginary cube having its center
congruent with that of the observer, and an edge of lenght equal to
the observer's height.23 9 A werb apparently denoting the motion of a static object. (The
meaning is not clear.)Tablet 13
19 3 A unit of time derived from the duration of dream events.
45 2 The independent action of two or more persons, considered as a single
action.
5
Three Yellow Events
I yellow yellow yellow
II yellow loud
III red
6
Three Window Events
opening a closed window
closing an open window
7
Three Lamp Events
on. off.
lamp
off. on.
8
Two Elimination Events
empty vessel
empty vessel
9
Word Event
Exit.
10
Six Doors
* exit* entrance
* exit
entrance*
11
Two Durations
red
green
12
Exercise
Determine the centre of an object or event.
Determine the centre more accurately.
Repeat, until further inaccuracy is impossible.
13
Symphony No. 5
I. before hearing
II. hearing
III. after hearing
14
Three Dances
1.
Saliva
2.
Pause
Urination.
Pause.
3.
Perspiration.
15
Untitled
Three of them were the same size, and two were not.
16
Swim Puzzle
Red plastic box with label on the lid containing clam shell and the score printed on card stock:
"Arrange the beads in such a way
the word CUAL never occurs."
Tört és Redukált Nyelvek Intézete
(Institute of Broken and Reduced Languages)
English text copyright © 2000 by George Brecht
This is a cooperative project of
the Institute of Broken and Reduced Languages
and Light and Dust