G l o s s o l a l i a
Editor: J. Lehmus HTML & graphic design: J. Lehmus Hardware advice: A. Koltsoff aka Cray'Z Russian
in•for•ma•tion, [ME: a forming of the mind < ML, L: idea, conception]
Electronic Journal for Experimental Arts
| 4 | February 1996
I understand that in order to continue the development of this publication,
it is necessary to proceed in two separate directions simultaneously.
My intention is to create the WWW and e-mail versions of Glossolalia
as two distinctly different publishing projects shaped by the advantages
and limitations of their respective mediums.
Still, this publication remains a journal for experimental arts, and
not specifically electronic arts. Much of the material featured in this number of
Glossolalia was produced, or at least transported, without a computer.
I want to continue this mixing of "old" and "new" media. Indeed, it is readily
possible to replicate, mutate, and merge the material images and texts within
the electronic matrix, creating hybrid works. (Should we call this kind
of hybridisation as ematerial art? Something that is moving between
the worlds of "material" and electronic creation? Ematerialism.)
I do not think cyberspace
as totally independent, autonomous sphere that is isolated from, and is in
contrast with, the "material" print culture. Cyberspace
is not the antithesis of Galaxia Gutenberg, it is just bluntly
a "different part of its body", a part that belongs to this body,
the body of writing.
One must think cyberspace as a semi-material state between the dream and
the real: a hallucination in which one is capable of moving in two
worlds with a considerable depth.
"Electronic art", the banal term. We are not developing computer-aided
design for the "real world", but a cyberspace emanation of Art,
Science ... Magick.
You don't need to search for the esoteric in cyberspace. There is nothing to
search for. Cyberspace itself is totally magical. The message
might not appear as magical, but the very medium is transcendental.
Understanding the electronic world is the alchemical Great Work: understanding
the Magic of letters and images, the Magic of bytes and pixels.
Astral plane in TrueColor. Let us dream the lucid language.
J. Lehmus Helsinki, 14 February 1996
Ficus strangulensis
Aleksandr Koltsoff
Jim Leftwich
J. Lehmus
Klaus Rupp
Stephen Thorne Software CI Acad. Poet. Aeth., J. Lehmus, Stenbocksv. 24, 02860 Esbo, Finland
GLOSSOLALIA 4: Copyright © 1996 J. Lehmus. All individual works Copyright © 1996 by their respective authors. All further rights to works belong to the authors and revert to the authors on publication.
GLOSSOLALIA is published electronically, 6 issues / year (February, April, June, August, October, December).
GLOSSOLALIA is published simultaneously as ASCII and HTML versions.
C o n t e n t s
SEND ART mail art ephemera by Klaus Rupp
"Cathedral" optoelectronic collages by J. Lehmus
FORWARD!
jlehmus@cute.fi
Editor
CONTRIBUTORS & COLLABORATORS IN GLOSSOLALIA 4
Alternative College
Crag Hill, 125 B Bay View Dr., Mill Valley, CA 94941, USA
far@medinah.atc.ucarb.com
czr@cute.fi
sleftwich@aol.com
jlehmus@cute.fi
Müggenkampstr. 1, 20257 Hamburg, Germany
34 Beverley Rd., Rubery, Birmingham, B45 9JG, England
Monkey from ftp://garbo.uwasa.fi/pc/linguistics
EDITORIAL ADDRESS