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- To: eyebeam-list@list.thing.net
- Subject: <eyebeam><blast> fire and more fire /Out out Damn Spot!
- From: Clifford Duffy <cwduff@alcor.concordia.ca>
- Date: Fri, 27 Mar 1998 00:36:17 -0500 (EST)
- cc: blast-agent <agent@blast.org>
****************** Death by Fire To Carthage then I came Burning burning burning burning O Lord Thou pluckest me out O Lord Thou pluckest burning ******************************** Let petty kings the name of madness know, Where I come, I kill both friend and foe. ************************************************** As an artist and as a man what can one do about a event so far away and so hopelessly beyond the scope's of one's powers. "Somebody's house is burning down/down" sang Jimi Hendrix so many years ago. ********************************************** ***** *** W. H. Auden, who had been an ambulance driver volunteer in the Spanish Civil War, wrote in in his In Memoriam poem to W. B. Yeats, 'poetry makes nothing happen.' Note that this man, like Samuel Beckett, had taken action when his conscience demanded that he takeaction. ******************************************* Jean Genet,the poet, way back in the 1970's was approached by the Black Panther party for help. HE did not hesitate, he went to America the next day. He spent the next 18 months wandering around the USA illegaly. Because of course, Jean Genet was 'illegal' he was a 'bad' guy. But he did not hesitate to go where the 'Fire' was to do what he could to put it out. Later he went to the East Bank of the Jordan river and lived among the feydayeen. He went he says, for fun, and stayed for 18 months or so. His last book, Prisoner of Love [translation] a book of his 'souvenirs' is about these two periods of his life. An artist on the move, and luckily for him he had the means, and lucky for those he had identified with that he did. He added his voice to theirs, became a witness of their 'fire.' ********************* ****** ******************* All women and men respond differently to crisis. This winter in Montreal in the midst of the biggest ice storm in a century, artists ran for cover like nearly everyone. A city of 2.5 million without powere in mid-winter leaves its member with little room for contemplating the 'higher reaches' of expression. Or what ever one cares to call art. ******************* **** Fire Fire Fire ****** Call the Police Department. **************** Call the Fire Women **** _____ Michel Foucault faced the French police batons with bravery and physical courage. Foucault, like Genet was rather well-known for his physical courage. The great Irish English journalist Robert Fisk remained in Beirut under the Israeli bombardments of August 1982. As well he, like Jean Genet was among the first to see the slauughtered vicitims of Shatila and Sabra. Each artist chooses her flight ________________--------- ____________________________________ Or confrontation lines. Some write words which are never heard till after their death. Tristan Tzara, the Jewish Romainian Dadaist Surrealist poet fought in the French Resitance during the years of the Nazi terror. Many of his friends in the Surrealist movement 'fled' to New York. Antonin Artuad spent the war years in a mad house. Fire fire everywhere, and some stay to fight, some run for cover. Some run to the fire, some run away. Who is to blame them for their pity and anger, their cowardice, their heroism? There are many thousands of thousands more no one has ever heard about. In fires which burn and strike, mutilate and fire bombed under ruins and piles of debris. FIRE***** From Hell or HEaven **** ***** Paul Celan spent some years in Labour Camps in Russia and*************************** Romainia. Others simply died. What voices??????***************** speak to us **************************************** from the fires of Brazil and Venuzuela? Does the ghost of Vallejos cry out ****** Spain Take This Cup from Me! against the brutality South American faces, even if this time it is disguised as a 'natural' disaster. There is no more nature, Nature does not exist. The earth is a big production factory of machines and spillage. The web fibrillates via the works and days of labouring women and men. Artaud's scream cannot be heard in the net. The net tears apart the body with out organs of the full body of theEarth and creates Monstrous Fire. We Witness the death of Nature. The creation of the Monstrous Apocalypse Machine deterritorializing at light speeds that even Paul Virilio cannot calculate.** THE Fourth Horsemen of the Apocalypse Rants and Rages **** A Fire Bomb in London**** ___________________________________ Some visit Mexico while peasants are massacred each day only a plane ride jet ride away. /// Some take it Easy in a Cheap Holiday in Other People's Misery ////// _______________________ > About poverty. Well. I wrote some weeks ago about that molar aggregate called the 'poor.' Tonight as I walked down the street, I remembered that Adolf Hitler was poor for a long time before he came to power. That so many members of his S.A. gangs were poor 'volk', good little poor people ready to follow their 'fuhrer' leader redeemer as he planned the extermination of the world. The poor is such a generality as to make it impossible to discuss. An artist always is specific, detailed and from there, from the speific, he or she builds. Long live the monority that does not become the dangerous line of fascism. Too bad Someone didnt push that little crap head of a poor person in the sewer one day, and left him there to die with all the other tyrants of hatred and resentiment. A fire was burning in my head, The silver apples of the moon, The golden apples of the sun. Cd. to Carlos .... I hope this fire dies out soon. That the rains come and wash away the dictators, the bosses, the capitalist pig dogs, the lackeys, the middle men, the bureaucrats the money makers, the cartels, the arms dealers the tourist gangster industrialists. And one can only hope the rain cleanses the filthy earth of cowed humanity and its names. Let the ghost of that great painter Frieda Kalho cry out, and then Let the Murals of Latin America and the Murals of South America Scream out their Bitter Invective Against the Planetary Whore which Destroys All Life. 'The creative breath "comes from a zone of man where man cannot descend, even if Virgil were to lead him, for Virgil would not go down there. If We hope to be more than victims signalling to one another through the flames... But we concerned with miracles. We must hear the music of the thos Braque guitars (Lorca). ' ***************** CD. - ------------------------------------------------------------- a critical forum for artistic practice in the network texts are the property of individual authors to unsubscribe, send email to eyebeam@list.thing.net with the following single line in the message body: unsubscribe eyebeam-list information and archive at http://www.eyebeam.org Eyebeam Atelier/X Art Foundation http://www.blast.org -------------------------------------------------------------
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