OTHER PUBLISHED TEXTS
“A Room of One’s Own: Women and Power in the New America,” The Drama Review, 51, 4 (T196), Winter, 2007.
“The Incredible Disappearing Woman,” Macalaster International, issue on International Feminisms: Divergent Perspectives, Volume 10, Spring, 2001, pp. 3-44.
“Stuff,” The Drama Review, Vol. 41, No. 4, Winter, 1997, pp. 63-82.
SELECTED ARTICLES AND INTERVIEWS:
“On Line Simulation/Real Life Politics: A Discussion with Ricardo Dominguez on Staging Virtual Theater,” The Drama Review, (T178), vol. 47, no. 2, pp. 151-162.
“Wide Area Disturbance” (a published discussion with Ricardo Dominguez),
(The New Press), Mute Magazine, March 10, 2002.
“Transformational Acts: An Interview with Michael Elmgreen and Ingar Dragset,” Taking Place: The Works of Michael Elmgreen and Ingar Dragset, Kunsthalle Zurich and Danish Contemporary Art Foundation (Hatje Cantz Verlag, 2002).
“All Too Real: The Tale of Black Sale: Coco Fusco interviews Keith Townsend Obadike,” Thing Reviews, bbs.thing.net, September, 2001.
“Modernity Deferred: The work of Luis Simon Molina Pantin,” (catalogue essay), Confort Exhibition, Museo Alejandro Otero, Caracas, Venezuela, 2000.
“At Your Service: Latina Performance in Global Culture,” Reverberation: Tactics of Resistance, Forms of Agency in Trans/cultural Practices, ed. Jean Fisher, (Maastricht: Jan Van Eyck Akademie, 2000).
“Una Inmodesta proposición, (An Immodest Proposal),” Zehar Magazine (Spain), Summer, 1999.
“Elevator Repair Service,” (interview), BOMB Magazine, Summer, 1999.
En la encrucijada Norte-Sur: Videos de Juan Downey,” With Energy Beyond These Walls, (Valencia: IVAM, 1998).
“We Wear the Mask,” Talking Visions: Multicultural Feminism in a Transnational Age, ed. Ella Shohat, (Cambridge/New York, MIT Press?New Museum of Contemporary Art, 1998).
"The Magnificat", in Joyful Noise: The New Testamant Revisted, ed. Rick Moody and Darcy Steinke, (New York: Little, Brown, 1997).
Carrie Mae Weems, (review), NKA: Journal of Contemporary African Art, Spring, 1996.
"Performance and the Power of the Popular" in Let's Get It On: The Politics of Black
Performance (London/Seattle: The ICA and Bay Press, 1995).
"Cuban Art, Foreign Interests," catalogue essay for Cuba: La Isla Posible, an exhibition of the Centro de la Cultura Catalana, Barcelona, Spain, 1995.
"A Letter to South African Artists," (catalogue essay) 1995 Africus: Johannesburg Biennale (Johannesburg: Transitional Metropolitan Council, 1995).
"Reflections on the Temple", (catalogue essay for performance installation by Guillermo Gómez-Peña), The Detroit Institute of Art, 1994.
"Magdalena Campos-Pons at INTAR", review, Art in America, February, 1994.
"Pepon Osorio: En la Barberia No Se Llora", (catalogue essay), Real Art Ways, Hartford Connecticut,1994.
"Family Matters: Race, Ethnicity and the American Family", (catalogue essay) Atlanta College of Art, 1994.
"Cuba's Artworld Comes Undone," The Los Angeles Times, Friday, December 24, 1993.
"Pan-American Post Nationalism: Another World Order", in Black Popular Culture, a project by Michele Wallace, edited by Gina Dent, (Seattle: Bay Press, 1992).
"The Hybrid State", film exhibition catalogue essay, published by Exit Art, New York, 1991.
"Art and National Identity", Art in America, Sept. 1991.
"Art and Cuba Now", The Nation, June 24, 1991.
"The Latino Boom in American Film," El Boletin, Journal of the Center for Puerto Rican Studies, 1990.
"Managing the Other" in Lusitania, Vol. 1, No. 3, Fall, 1990, and Futur Antérieur, Nos. 12-13, 1992, L'Harmattan, France.
"Internal Exile: New Films and Videos from Chile," (catalogue essay). Third World Newsreel, 1990.
"Ethnicity, Politics and Poectics: Latinos and Media Art" in Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall and Sally Jo Fifer, (San Francisco: Aperture and the Bay Area Video Coalition, 1990).
"Black in a White World: Short Films by African-American Independents", (catalogue essay), The Gallery Association of New York State, 1990.
"About Locating Ourselves and Our Representations", Framework, Third Scenario: Theory and the Politics of Location, no. 36, 1989, (England).
"Cuba Libre?," The Village Voice, January 10, 1989.
"Fantasies of Oppositionality", Screen: The Last Special Issue on Race?, Vol. 29, No. 4, Autumn, 1988, (England) Reprinted in Art, Activism, and Oppositionality: Essays from Afterimage, ed. Grant H. Kester, (Durham: Duke University, 1998).
"Drawing New Lines", The Nation, Vol. 247, No. 11, Oct. 24, 1988.
"Signs of Transition: '80's Art from Cuba," (catalogue essay), Museum of Contemporary Hispanic Art and The Center for Cuban Studies, 1988.
“Reviewing Histories: Selections from The New Latin American Cinema,” (exhibition catalogue), Hallwalls Contemporary Art Center, 1987.
"Cuba: Cultural Policy, Cultural Politics" Impulse Magazine, Summer, 1987.